The primary query that got here to my thoughts when Drishyam 2 was introduced was — why wouldn’t director Jeethu Joseph go away Georgekutty and his household alone? Didn’t the household not undergo sufficient already? Additionally, what was the want for a follow-up movie? Didn’t Georgekutty tie up all the free ends and buried the secret the place cops would by no means go digging? The place was the house for an additional story mired in additional deception, extra lies and limitless cover-ups?
In a dialog with indianexpress.com earlier, Jeethu made it very clear that Drishyam 2 may be very completely different from its predecessor. He has taken the premise and principal characters of the first movie however has positioned it in a special style. Whereas Drishyam was a criminal offense thriller, the sequel is a household drama. “I assumed what can be the response of society to that crime? Georgekutty has been accused of a criminal offense and now persons are realizing that there’s something (fishy) about it. There is no such thing as a smoke with out hearth, proper? Folks begin gossiping,” he mentioned.
Right here we’re, after seven years, once more able to witness how the household resides with the secret. However, earlier than that, allow us to think about the query of why did Drishyam in 2013 grow to be such an outstanding success? Good Malayalam films getting remakes in different languages isn’t one thing unheard of. However, one can’t assure that the remakes would re-create the similar success as the unique movie, a feat Drishyam achieved effortlessly.
The movie impressed remakes in Tamil (Papanasam), Kannada (Drishya), Telugu (Drushyam), Hindi (Drishyam), Sinhalese (Dharmayuddhaya) and even Chinese language (Sheep With no Shepherd). And all of them did excellent enterprise at the field workplace and likewise acquired so much of love from the critics.
What’s it about this straightforward story that captured the consideration and creativeness of the individuals world over? It’s as a result of the story of Drishyam gave life to the worst nightmares of the middle-class, and wrapped it up as an edge-of-the-screen movie.
Jeethu does a rare job in registering the social strata of Georgekutty from the very starting of the movie. The protagonist by no means misses a chance to remind us that he was an orphan and got here from poverty. he turned the tables by his hard-work and prudence. Brick by brick, he constructed his life from the scratch. He owns farmland and a home, the place he lives together with his spouse and two daughters. He’s residing the nice Indian middle-class dream; in a manner, he’s a stand-in of a big half of viewers. The director introduces an outsider who threatens to remove his life’s work and all that’s treasured to him. And Jeethu intensifies this nightmare, by pitting the household of 4 in opposition to the may of the police equipment. Now, we acquired a basic David vs Goliath theme. And clearly, we would like the helpless household, relying solely on their wits, and fortitude in a battle that’s seemingly rigged in opposition to them, to win in opposition to the towering authority.
The success of Drishyam in worldwide markets has proven that the middle-class in every single place have comparable values, wishes and fears. The themes in Drishyam are universal. This predicament of the Georgekutty household evokes a really primal response from each member of the middle-class society throughout the world. And that’s why we root for the protagonist and are able to forgive him for breaking each regulation to guard what all of us think about treasured: the household unit.